Keeps this channel audible when someone solos another one in Solo In Place mode. Worth setting on the pulpit mic.
Each church runs its own engine on its own machine. Add them here and you can switch between them — taking control and hearing whichever one you switch to, while the others keep streaming and keep reporting their levels.
The address is whatever that church's machine prints when it starts up. Over the internet it will be a Tailscale address rather than a local one.
A project is one church's whole desk — channels, names, processing, groups, effects and scenes. Open the right one before the service. Switching saves the one you are leaving.
Put an effect on a spare bus, then use each channel's send to decide how much of it that channel gets. One reverb shared across all the vocals, rather than a separate one per channel.
Fold related channels into one strip — all the drums under "Drums", all the singers under "Vocals". The group's fader rides everything in it without moving the individual faders, and you can collapse it to get it out of the way.
A scene stores every fader, EQ, gate and compressor setting. Recall one to jump the whole desk to that state.
Enter the passphrase shown in the terminal on the machine running the console.
Sign in to mix.
Each church runs Stream One on its own machine. Add it here, read the six digits to whoever is standing at their sound desk, and they type it once.
An operator mixes the churches you assign them. A moderator can also watch a desk someone else is holding. Only you can take a desk off someone.
Asking the relay what it serves…
Build it on your Mac with mac/build_manager.sh, then
upload the StreamOne-….dmg it makes. Churches get it straight
away: the download link serves it, and installed apps are told a new
version is ready.
One entry per run of audio, so a morning and an evening are two, and a rehearsal is its own. Everything here is read back out of the church’s own recording of the day — nothing is counted twice.
Every change to what this church pays for, newest first — the ones you made here and the ones a payment made.
Choose a password.
Ticked inputs are on the desk. Unticking one takes its strip away — its settings are kept in case you bring it back. Nothing changes until you press Apply.
An effect on this bus. Everything sent here goes through it, and it returns to the stream so you hear it.
Mix is at 0% — this effect is silent and the channel is passing through dry. Raise mix to hear it.
Where this strip's fader sends its signal. This is a move, not a copy — a send is the separate, additive path with its own level.
Which physical input feeds this strip. Two strips may share an input if you want the same source twice.
Since this page was opened. Useful when something is misbehaving on one machine and not another — send this rather than describing it.
Measured continuously from the meter feed, which comes down the same line the audio does. Nothing here starts a test or uses any extra bandwidth.